000			02325cam a2200421 a 4500
999			_c27992 _d27992
001			15218262
003			OSt
005			20170213105644.0
008			080313s2008 ctua b 001 0 eng
010			_a 2008011986
015			_aGBA808553 _2bnb
016	7		_a014499926 _2Uk
020			_a9780300140620 (cloth : alk. paper)
020			_a0300140622 (cloth : alk. paper)
035			_a(OCoLC)191243100
040			_aDLC _cDLC _dUKM _dBTCTA _dBAKER _dYDXCP _dC#P _dCDX _dBWX _dIXA _dOCLCQ _dDLC
043			_anw-----
050	0	0	_aN8214.5.W38 _bK75 2008
082	0	0	_a709.086/2 _222
100	1		_aKriz, Kay Dian, _d1945-
245	1	0	_aSlavery, sugar, and the culture of refinement : _bpicturing the British West Indies, 1700-1840 / _cKay Dian Kriz.
260			_aNew Haven : _bYale University Press, _cc2008.
300			_aix, 284 p. : _bill. (some col.) ; _c27 cm.
500			_a"Published for The Paul Mellon Centre for Studies in British Art."
504			_aIncludes bibliographical references (p. 257-273) and index.
505	0		_aIntroduction. Assessing the culture of refinement -- Curiosities, commodities and transplanted bodies in Hans Sloane's Voyage to ... Jamaica -- Marketing mulâtresses in Agostino Brunias's West Indian scenes -- The physiognomy and pathology of "black humor" : caricature and the West Indies on the eve of abolition -- Making a black folk : Belisario's Sketches of character -- Torrid zones and detoxified landscapes : picturing Jamaica, 1825-1840.
650		0	_aSocial classes in art.
650		0	_aBlacks in art.
650		0	_aSlavery in art.
650		0	_aArt, British _y18th century.
650		0	_aArt, British _y19th century.
651		0	_aWest Indies, British _vIn art.
710	2		_aPaul Mellon Centre for Studies in British Art.
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/toc/ecip0813/2008011986.html
856	4	2	_3Book review (H-Net) _uhttp://www.h-net.org/reviews/showrev.php?id=23632
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBOOKS _hN 8214.5 .W38K75 2008