000 01712cam a22003614a 4500
999 _c27331
_d27331
001 16583184
003 OSt
005 20170208100523.0
008 101217s2011 maua b 001 0 eng
010 _a 2010053498
016 7 _a015855544
_2Uk
020 _a9780262015929 (hardcover : alk. paper)
020 _a0262015927 (hardcover : alk. paper)
035 _a(OCoLC)ocn694172204
040 _aDLC
_cDLC
_erda
_dYDX
_dERASA
_dUKMGB
_dYDXCP
_dBWX
_dVVC
_dCDX
_dDLC
042 _apcc
050 0 0 _aN6923.F6
_bW48 2011
082 0 0 _a709.2
_222
100 1 _aWhite, Anthony,
_d1964-
245 1 0 _aLucio Fontana :
_bBetween Utopia and Kitsch /
_cAnthony White.
260 _aCambridge, Massachusetts :
_bThe MIT Press,
_c©2011.
300 _axiii, 324 pages :
_billustrations (chiefly color) ;
_c24 cm.
336 _atext
_2rdacontent
337 _aunmediated
_2rdamedia
338 _avolume
_2rdacarrier
500 _a"An October Book."
504 _aIncludes bibliographical references and index.
505 0 _aDamaged Goods -- The Artificial Figure: 1930-1934 -- Between Utopia and Kitsch: 1934-1938 -- From Sculpture to Environment: 1940-1951 -- Spatial Concept: the "Holes," 1949-1953 -- Expectations: the Cuts," 1958-1966 -- The Object of Vanity: 1959-1964 -- La Chinoise.
600 1 0 _aFontana, Lucio,
_d1899-1968
_xCriticism and interpretation.
650 0 _aArt and society
_xHistory
_y20th century.
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2lcc
_cBOOKS
_hN 6923 .F6W48 2011