000			01917cam a2200289 a 4500
999			_c23522 _d23522
001			16517894
003			OSt
005			20170126120137.0
008			101025s2011 maua b 001 0 eng
010			_a 2010045150
020			_a9780674053403 (hardcover : alk. paper)
040			_aDLC _cDLC
043			_aa-ja---
050	0	0	_aNK8645 .S67 1993
082	0	0	_a700.952/09046 _222
100	1		_aSas, Miryam. _d2010
245	1	0	_aExperimental arts in postwar Japan : _bmoments of encounter, engagement, and imagined return / _cMiryam Sas.
260			_aCambridge, Mass. : _bHarvard University Asia Center : _bDistributed by Harvard University Press, _c2010.
300			_axvii, 275 p. : _bill. ; _c24 cm.
490	0		_aHarvard East Asian monographs ; _v329
500			_aIncludes bibliographical references and index.
505	0		_aIntroduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
600			_2Arts
650		0	_aArts, Japanese _y20th century.
650		0	_aAvant-garde (Aesthetics) _zJapan.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBOOKS _hNK8645 .S67 1993 _k30483