| 000 | 02033cam a2200385 a 4500 | ||
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| 999 |
_c18180 _d18180 |
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| 001 | 14633538 | ||
| 003 | OSt | ||
| 005 | 20161203100420.0 | ||
| 008 | 061114s2007 caua b 001 0 eng | ||
| 010 | _a 2006038238 | ||
| 020 | _a9780892368730 | ||
| 020 | _a089236873X | ||
| 035 | _a(OCoLC)ocm76786715 | ||
| 035 | _a(OCoLC)76786715 | ||
| 040 |
_aDLC _cDLC _dBAKER _dBTCTA _dC#P _dYDXCP _dDLC |
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| 043 | _ae-it--- | ||
| 050 | 0 | 0 |
_aND623.P144 _bL64 2007 |
| 082 | 0 | 0 |
_a759.5 _222 |
| 100 | 1 |
_aLoh, Maria H., _d1971- |
|
| 245 | 1 | 0 |
_aTitian remade : _brepetition and the transformation of early modern Italian art / _cMaria H. Loh. |
| 260 |
_aLos Angeles : _bGetty Research Institute, _cc2007. |
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| 300 |
_aviii, 202 p. : _bill. (some col.) ; _c28 cm. |
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| 504 | _aIncludes bibliographical references (p. 181-190) and index. | ||
| 505 | 0 | _aIntroduction: "A death in Venice" -- "Delicious nude": repetition and identity -- "The future is history": repetition and difference -- "Io triumphe, io triumphe": repetition and becoming -- Ancients and moderns: repetition and history -- Conclusion. sublime trees and deterritorialized branches. | |
| 600 | 0 | 0 |
_aPadovanino, _d1588-1648 _xCriticism and interpretation. |
| 600 | 0 | 0 |
_aTitian, _dapproximately 1488-1576 _xInfluence. |
| 650 | 0 |
_aPainting, Italian _y17th century. |
|
| 650 | 0 | _aImitation in art. | |
| 650 | 0 | _aRepetition (Aesthetics) | |
| 856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/toc/ecip075/2006038238.html |
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0907/2006038238-b.html |
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0907/2006038238-d.html |
| 906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBOOKS _hND 23 .P144L64 2007 |
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