000			03124cam a2200385 a 4500
999			_c17467 _d17467
001			16037642
005			20161126112242.0
008			091230s2010 ctua b 001 0 eng
010			_a 2009054224
015			_aGBB056648 _2bnb
016	7		_a015542055 _2Uk
020			_a9780300136975 (cl : alk. paper)
020			_a0300136978 (cl : alk. paper)
035			_a(OCoLC)ocn472423815
040			_aDLC _cDLC _dERASA _dYDXCP _dBWKUK _dBWK _dUKM _dCDX _dDLC
043			_ae-uk-en
050	0	0	_aNE628 _b.J66 2010
100	1		_aJones, Malcolm, _d1953-
245	1	4	_aThe print in early modern England : _ban historical oversight / _cMalcolm Jones.
260			_aNew Haven [Conn.] : _bPublished for the Paul Mellon Centre for Studies in British Art by Yale University Press, _cc2010.
300			_axii, 452 p. : _bill. (some col.) ; _c30 cm.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: the circulation and use of prints -- Numbered series -- Emblematic diagrams and schemata -- At home and abroad: the Tudors and early Stuarts -- 'These distempered times': the Civil War period -- At home and abroad: the later Stuarts -- Doctrinal opponents: anti-Catholic satire -- Doctrinal opponents: anti-Protestant and anti-sectarian imagery -- The Godly life -- Sinful pleasures, I: folly -- Sinful pleasures, II: lust -- 'Lerning us to beware': portents and prodigies -- Death and judgement -- A topsy turvy world -- The place of women -- A picture of society.
520	8		_aThis book provides an iconographic survey of the single-sheet prints produced in Britain during the early modern era and brings to light some very recent discoveries. This large body of material is treated thematically, and within each theme, chronologically. Chapters are devoted to portents and prodigies, the formal moralities and doctrines of Christianity, the sects of Christianity, and the often vicious satire of the Catholic confession (but also of Protestant non-conformists) visual satire of foreigners and others, domestic political issues principally, the English Civil War social criticism and gender roles, marriage and sex, as well as numerical series and miscellaneous visual tricks, puzzles and jokes. The concluding chapter considers the significance of this wealth of visual material for the cultural history of England in the early modern era.
650		0	_aPrints, English _y16th century _xThemes, motives.
650		0	_aPrints, English _y17th century _xThemes, motives.
650		0	_aArt and society _zEngland _xHistory _y16th century.
650		0	_aArt and society _zEngland _xHistory _y17th century.
710	2		_aPaul Mellon Centre for Studies in British Art.
942			_2lcc _cBOOKS _hNE628 .J66 2010