<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Slavery, sugar, and the culture of refinement</title>
    <subTitle>picturing the British West Indies, 1700-1840</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kriz, Kay Dian</namePart>
    <namePart type="date">1945-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="corporate">
    <namePart>Paul Mellon Centre for Studies in British Art</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ctu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New Haven</placeTerm>
    </place>
    <publisher>Yale University Press</publisher>
    <dateIssued>c2008</dateIssued>
    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>ix, 284 p. : ill. (some col.) ; 27 cm.</extent>
  </physicalDescription>
  <tableOfContents>Introduction. Assessing the culture of refinement -- Curiosities, commodities and transplanted bodies in Hans Sloane's Voyage to ... Jamaica -- Marketing mulâtresses in Agostino Brunias's West Indian scenes -- The physiognomy and pathology of "black humor" : caricature and the West Indies on the eve of abolition -- Making a black folk : Belisario's Sketches of character -- Torrid zones and detoxified landscapes : picturing Jamaica, 1825-1840.</tableOfContents>
  <note type="statement of responsibility">Kay Dian Kriz.</note>
  <note>"Published for The Paul Mellon Centre for Studies in British Art."</note>
  <note>Includes bibliographical references (p. 257-273) and index.</note>
  <subject>
    <geographicCode authority="marcgac">nw-----</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Social classes in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Blacks in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Slavery in art</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Art, British</topic>
    <temporal>18th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Art, British</topic>
    <temporal>19th century</temporal>
  </subject>
  <subject authority="lcsh">
    <geographic>West Indies, British</geographic>
    <topic>In art</topic>
  </subject>
  <classification authority="lcc">N8214.5.W38 K75 2008</classification>
  <classification authority="ddc" edition="22">709.086/2</classification>
  <identifier type="isbn">9780300140620 (cloth : alk. paper)</identifier>
  <identifier type="isbn">0300140622 (cloth : alk. paper)</identifier>
  <identifier type="lccn">2008011986</identifier>
  <identifier type="uri">http://www.loc.gov/catdir/toc/ecip0813/2008011986.html</identifier>
  <identifier type="uri">http://www.h-net.org/reviews/showrev.php?id=23632</identifier>
  <location>
    <url displayLabel="Table of contents only">http://www.loc.gov/catdir/toc/ecip0813/2008011986.html</url>
  </location>
  <location>
    <url displayLabel="Book review (H-Net)">http://www.h-net.org/reviews/showrev.php?id=23632</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">DLC</recordContentSource>
    <recordCreationDate encoding="marc">080313</recordCreationDate>
    <recordChangeDate encoding="iso8601">20170213105644.0</recordChangeDate>
    <recordIdentifier source="OSt">15218262</recordIdentifier>
  </recordInfo>
</mods>
