01730cam a2200325 a 4500999001700000001000900017003000400026005001700030008004100047010001700088020003900105020003600144035002400180040004700204043001200251050002200263082002500285100001800310245009000328260007300418300004700491504006600538505027300604520018600877650005501063856008301118906004501201942003401246952012401280  c27662d2766215354014OSt20170209152908.0080703s2009    paua     b   s001 0 eng    a  2008029806  a9780271034089 (cloth : alk. paper)  a0271034084 (cloth : alk. paper)  a(OCoLC)ocn233485670  aDLCcDLCdYDXCPdBTCTAdC#PdCDXdBWXdDLC  ae-it---00aND2755b.D86 200900a751.7/30945090232221 aDunlop, Anne.10aPainted palaces :bthe rise of secular art in early Renaissance Italy /cAnne Dunlop.  aUniversity Park, Pa. :bPennsylvania State University Press,cc2009.  axvii, 319 p. :bill. (some col.) ;c27 cm.  aIncludes bibliographical references (p. [287]-306) and index.0 a"Una chasa grande, dipinta": Palazzo Datini in Prato -- Art, artifice, and the rise of the vernacular -- Allegory: painted rooms and permeability -- "A certain inborn suffering": chambers of love -- History, portraits, and painting -- An epilogue: Mantegna and Mantua.  a"A general study of palace painting in Trecento and Quattrocento Italy. Argues for the pivotal role of early secular painting in early-modern art and theory"--Provided by publisher. 0aMural painting and decoration, RenaissancezItaly.413Table of contents onlyuhttp://www.loc.gov/catdir/toc/ecip0822/2008029806.html  a7bcbccorignewd1eecipf20gy-gencatlg  2lcccBOOKShND 2755 .D86 2009  00102lcc4070aMUCbMUCcTECHd2017-02-09eDonation (BFA)l0oND 2755 .D86 2009p34928r2018-07-12w2017-02-09yBOOKS