01462cam a2200277 a 450000100090000000300040000900500170001300800410003001000170007102000390008802000360012703500240016304000470018704300120023405000220024608200250026810000180029324500900031126000730040130000470047450400660052150502730058752001860086065000550104685600830110115354014OSt20170209152908.0080703s2009    paua     b   s001 0 eng    a  2008029806  a9780271034089 (cloth : alk. paper)  a0271034084 (cloth : alk. paper)  a(OCoLC)ocn233485670  aDLCcDLCdYDXCPdBTCTAdC#PdCDXdBWXdDLC  ae-it---00aND2755b.D86 200900a751.7/30945090232221 aDunlop, Anne.10aPainted palaces :bthe rise of secular art in early Renaissance Italy /cAnne Dunlop.  aUniversity Park, Pa. :bPennsylvania State University Press,cc2009.  axvii, 319 p. :bill. (some col.) ;c27 cm.  aIncludes bibliographical references (p. [287]-306) and index.0 a"Una chasa grande, dipinta": Palazzo Datini in Prato -- Art, artifice, and the rise of the vernacular -- Allegory: painted rooms and permeability -- "A certain inborn suffering": chambers of love -- History, portraits, and painting -- An epilogue: Mantegna and Mantua.  a"A general study of palace painting in Trecento and Quattrocento Italy. Argues for the pivotal role of early secular painting in early-modern art and theory"--Provided by publisher. 0aMural painting and decoration, RenaissancezItaly.413Table of contents onlyuhttp://www.loc.gov/catdir/toc/ecip0822/2008029806.html