The Vision, Craftsmanship, and Linear Perspective in Greek and Roman Architecture Senseney, John R. (John Robert) 1969- creator text bibliography nyu New York Cambridge University Press 2011, ©2011 2011 2011 monographic eng

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xv, 245 pages : illustrations ; 27 cm. "This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities, and refinements of buildings and the manner in which order itself was envisioned"--Provided by publisher. "This book examines the application of drawing in the creation of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities, and refinements of buildings and the manner in which order itself was envisioned"--Provided by publisher. Machine generated contents note: Introduction: challenges of analysis and interpretation; 1. The ideas of architecture; 2. Vision and spatial representation; 3. The genesis of scale drawing and linear perspective; 4. Architectural vision; Excursus: envisioning cosmic mechanism in Plato and Vitruvius; Appendix A: analysis of the dimensions of the blueprint for entasis at Didyma; Appendix B: analysis of the hypothetical working drawing for platform curvature at Segesta; Appendix C: analysis of the hypothetical working drawing for platform curvature in the Parthenon. John R. Senseney. Machine generated contents note: Introduction: challenges of analysis and interpretation; 1. The ideas of architecture; 2. Vision and spatial representation; 3. The genesis of scale drawing and linear perspective; 4. Architectural vision; Excursus: envisioning cosmic mechanism in Plato and Vitruvius; Appendix A: analysis of the dimensions of the blueprint for entasis at Didyma; Appendix B: analysis of the hypothetical working drawing for platform curvature at Segesta; Appendix C: analysis of the hypothetical working drawing for platform curvature in the Parthenon. Includes bibliographical references and index. Architectural design Architectural drawing Architecture, Classical NA2750 .S45 2011 722/.8 ART015060 9781107002357 1107002354 2010049728 http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-b.html http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-d.html http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-t.html http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-b.html http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-d.html http://catdir.loc.gov/catdir/enhancements/fy1102/2010049728-t.html DLC 101122 20170201095816.0 16548926