01824fam a2200301 a 4500999001700000001000800017005001700025008004100042010001700083020002800100035002100128035002400149035001700173040002700190050002400217100002300241245011600264260004300380263000900423300004800432490003000480504005100510505071500561600006501276650002301341942003401364952012401398  c18038d18038185741620161202112254.0960408s1996    paua     b    001 0 eng    a   96008202   a1556192711 (alk. paper)  a(OCoLC)123259747  a(OCoLC)ocn123259747  a(NNC)1857416  aDLCcDLCdNNCdOrLoB-B00aND653.G7 bH58 19961 aHomburg, Cornelia.14aThe copy turns original :bVincent van Gogh and a new approach to traditional art practice /cCornelia Homburg.  aPhiladelphia :bJohn Benjamins,c1996.  a9606  axviii, 233 p. :bill. (some col.) ;c26 cm.1 aOculi,x0923-0033 ;vv. 6  aIncludes bibliographical references and index.00gPt. 1.tThe copy in historical perspective.g1.tForms of copying.g2.tThe copy as part of the academic curriculum.g3.tOpposition to academic teaching.g4.tThe Post-Impressionist copy --gPt. 2.tVan Gogh's copies in Saint-Remy.g5.tVan Gogh, copyist.g6.tDelacroix - the modern master.g7.tRembrandt - painter of life and mystery.g8.tThe significance of religious subject matter.g9.tThe copies after Delacroix and Rembrandt.g10.tMillet - painter of humanity.g11.tThe copies after Millet.g12.tVan Gogh's other copies in Saint-Remy --gPt. 3.tVan Gogh's copies in a wider context.g13.tReception.g14.tCopies by contemporaries.g15.tCopies of avant-garde models.g16.tFurther developments.10aGogh, Vincent van,d1853-1890xCriticism and interpretation. 0aPicturesxCopying.  2lcccBOOKShND653.G7 H58 1996  00102lcc4070aMUCbMUCcGENd2016-12-02eDonation(B.F.A)l0oND653.G7 H58 1996p28953r2016-12-02w2016-12-02yBOOKS