The Vincent van Gogh and a new approach to traditional art practice Homburg, Cornelia. creator text bibliography pau Philadelphia John Benjamins 1996 monographic eng

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xviii, 233 p. : ill. (some col.) ; 26 cm. Pt. 1. The copy in historical perspective. 1. Forms of copying. 2. The copy as part of the academic curriculum. 3. Opposition to academic teaching. 4. The Post-Impressionist copy -- Pt. 2. Van Gogh's copies in Saint-Remy. 5. Van Gogh, copyist. 6. Delacroix - the modern master. 7. Rembrandt - painter of life and mystery. 8. The significance of religious subject matter. 9. The copies after Delacroix and Rembrandt. 10. Millet - painter of humanity. 11. The copies after Millet. 12. Van Gogh's other copies in Saint-Remy -- Pt. 3. Van Gogh's copies in a wider context. 13. Reception. 14. Copies by contemporaries. 15. Copies of avant-garde models. 16. Further developments. Cornelia Homburg. Includes bibliographical references and index. Gogh, Vincent van 1853-1890 Criticism and interpretation Pictures Copying ND653.G7 H58 1996 1556192711 (alk. paper) 96008202 DLC 960408 20161202112254.0 1857416