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  <titleInfo>
    <nonSort>The </nonSort>
    <title>print in early modern England</title>
    <subTitle>an historical oversight</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Jones, Malcolm</namePart>
    <namePart type="date">1953-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="corporate">
    <namePart>Paul Mellon Centre for Studies in British Art</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">ctu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New Haven [Conn.]</placeTerm>
    </place>
    <publisher>Published for the Paul Mellon Centre for Studies in British Art by Yale University Press</publisher>
    <dateIssued>c2010</dateIssued>
    <dateIssued encoding="marc">2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xii, 452 p. : ill. (some col.) ; 30 cm.</extent>
  </physicalDescription>
  <abstract>This book provides an iconographic survey of the single-sheet prints produced in Britain during the early modern era and brings to light some very recent discoveries. This large body of material is treated thematically, and within each theme, chronologically. Chapters are devoted to portents and prodigies, the formal moralities and doctrines of Christianity, the sects of Christianity, and the often vicious satire of the Catholic confession (but also of Protestant non-conformists) visual satire of foreigners and others, domestic political issues principally, the English Civil War social criticism and gender roles, marriage and sex, as well as numerical series and miscellaneous visual tricks, puzzles and jokes. The concluding chapter considers the significance of this wealth of visual material for the cultural history of England in the early modern era.</abstract>
  <tableOfContents>Introduction: the circulation and use of prints -- Numbered series -- Emblematic diagrams and schemata -- At home and abroad: the Tudors and early Stuarts -- 'These distempered times': the Civil War period -- At home and abroad: the later Stuarts -- Doctrinal opponents: anti-Catholic satire -- Doctrinal opponents: anti-Protestant and anti-sectarian imagery -- The Godly life -- Sinful pleasures, I: folly -- Sinful pleasures, II: lust -- 'Lerning us to beware': portents and prodigies -- Death and judgement -- A topsy turvy world -- The place of women -- A picture of society.</tableOfContents>
  <note type="statement of responsibility">Malcolm Jones.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <geographicCode authority="marcgac">e-uk-en</geographicCode>
  </subject>
  <subject authority="lcsh">
    <topic>Prints, English</topic>
    <temporal>16th century</temporal>
    <topic>Themes, motives</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Prints, English</topic>
    <temporal>17th century</temporal>
    <topic>Themes, motives</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Art and society</topic>
    <geographic>England</geographic>
    <topic>History</topic>
    <temporal>16th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Art and society</topic>
    <geographic>England</geographic>
    <topic>History</topic>
    <temporal>17th century</temporal>
  </subject>
  <classification authority="lcc">NE628 .J66 2010</classification>
  <identifier type="isbn">9780300136975 (cl : alk. paper)</identifier>
  <identifier type="isbn">0300136978 (cl : alk. paper)</identifier>
  <identifier type="lccn">2009054224</identifier>
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    <recordCreationDate encoding="marc">091230</recordCreationDate>
    <recordChangeDate encoding="iso8601">20161126112242.0</recordChangeDate>
    <recordIdentifier>16037642</recordIdentifier>
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