Kurt Schwitters : color and collage / edited by Isabel Schulz ; contributions by Leah Dickerman ... [et al.].

By: Schwitters, Kurt, 1887-1948Contributor(s): Schulz, Isabel | Dickerman, Leah, 1964- | Menil Collection (Houston, Tex.) | Princeton University. Art Museum | Berkeley Art Museum and Pacific Film ArchiveMaterial type: TextTextPublication details: Houston, Tex. : New Haven, Conn. : Menil Collection ; Distributed by Yale University Press, c2010Description: 176 p. : ill. (chiefly col.) ; 30 cmISBN: 9780300166118 (trade ed. : hardcover); 0300166117 (trade ed. : hardcover); 9780939594672 (museum ed. : paperback); 0939594676 (museum ed. : paperback)Subject(s): Schwitters, Kurt, 1887-1948 -- Exhibitions | Schwitters, Kurt, 1887-1948 -- ExhibitionsLOC classification: N6889 | .S42A4 2010
Contents:
Kurt Schwitters : color and collage / Isabel Schulz -- Schwitters fec. / Leah Dickerman -- Kurt Schwitters's Merzbau / Gwendolen Webster.
Summary: Best known for his extraordinary abstract collages, Kurt Schwitters is one of the most influential figures of the international avant-garde. This volume emphasizes the significance of colour and light in the artist's work, as well as delving into the relationship between collage and painting.
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N6853.W38 A4 2011 Watteau at the Wallace Collection / N6868.5.E9 E27 1985 World War I and the Weimar artists : N 6888 .E7W37 2001 Max Ernst and alchemy : N6889 .S42A4 2010 Kurt Schwitters : N6914.P68 2004 Italy : N6914 .S65 2001 Style in the art theory of early modern Italy / N 6921 .F7R32 2002 Engaging Symbols:

The Menil Collection, Houston, October 22, 2010-January 30, 2011; Princeton University Art Museum, March 26-June 26, 2011; University of California, Berkeley Art Museum and Pacific Film Archive, August 3-November 27, 2011.

Includes bibliographical references (p. 171-174).

Kurt Schwitters : color and collage / Isabel Schulz -- Schwitters fec. / Leah Dickerman -- Kurt Schwitters's Merzbau / Gwendolen Webster.

Best known for his extraordinary abstract collages, Kurt Schwitters is one of the most influential figures of the international avant-garde. This volume emphasizes the significance of colour and light in the artist's work, as well as delving into the relationship between collage and painting.

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