Experimental arts in postwar Japan : moments of encounter, engagement, and imagined return / Miryam Sas.
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TextSeries: Harvard East Asian monographs ; 329Publication details: Cambridge, Mass. : Harvard University Asia Center : Distributed by Harvard University Press, 2010Description: xvii, 275 p. : ill. ; 24 cmISBN: 9780674053403 (hardcover : alk. paper)Subject(s): | Arts, Japanese -- 20th century | Avant-garde (Aesthetics) -- JapanDDC classification: 700.952/09046 LOC classification: NK8645 .S67 1993| Item type | Current library | Call number | Status | Date due | Barcode |
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MACHAKOS UNIVERSITY LIBRARY Technical section | NK8645 .S67 1993 (Browse shelf (Opens below)) | Available | 30483 |
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| NK 8490 .K56 1986 Butter prints and molds / | NK8595 .L52 1996 More plastics for collectors : | NK8645 .S67 1993 Canes from the seventeenth to the twentieth century / | NK8645 .S67 1993 Experimental arts in postwar Japan : | NK8667 .A94A4 2006 Chant Avedissian : | NK8667.L4A4 1986 The art of stencilling / | NK8715 .L58 1999 Spirit stones of China = |
Includes bibliographical references and index.
Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
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