The copy turns original : Vincent van Gogh and a new approach to traditional art practice / Cornelia Homburg.
Material type:
TextSeries: Publication details: Philadelphia : John Benjamins, 1996Description: xviii, 233 p. : ill. (some col.) ; 26 cmISBN: 1556192711 (alk. paper)Subject(s): Gogh, Vincent van, 1853-1890 -- Criticism and interpretation | Pictures -- CopyingLOC classification: ND653.G7 | H58 1996| Item type | Current library | Call number | Status | Date due | Barcode |
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Hard Covered Materials
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MACHAKOS UNIVERSITY LIBRARY Open shelf | ND653.G7 H58 1996 (Browse shelf (Opens below)) | Available | 28953 |
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| ND 653 .G7E68 1998 At eternity's gate : | ND653 .G7F395 2001 Van Gogh's gardens / | ND653 .G7G6 1953 Vincent van Gogh (1853-1890)./ | ND653.G7 H58 1996 The copy turns original : | ND 653 .R4G58 1960 Rembrandt: | ND653 .R4W595 2009 Rembrandt in southern California / | ND 653.V5.N48 2001 Vermeer;s world. |
Includes bibliographical references and index.
Pt. 1. The copy in historical perspective. 1. Forms of copying. 2. The copy as part of the academic curriculum. 3. Opposition to academic teaching. 4. The Post-Impressionist copy -- Pt. 2. Van Gogh's copies in Saint-Remy. 5. Van Gogh, copyist. 6. Delacroix - the modern master. 7. Rembrandt - painter of life and mystery. 8. The significance of religious subject matter. 9. The copies after Delacroix and Rembrandt. 10. Millet - painter of humanity. 11. The copies after Millet. 12. Van Gogh's other copies in Saint-Remy -- Pt. 3. Van Gogh's copies in a wider context. 13. Reception. 14. Copies by contemporaries. 15. Copies of avant-garde models. 16. Further developments.
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